"Gold Flowers," Australian artist Jessie Monk sets the stage for her sophomore concept album Mis O’ The Mountains, a haunting avant-folk journey steeped in myth and folklore. The single, inspired by Gabriel García Márquez's 100 Years of Solitude, captures the magical realism and deep emotional resonance of a mythic moment—when gold flowers rain from the sky to commemorate a lost life.
Musically, "Gold Flowers" is a bold and intricate fusion of folk roots and avant-garde experimentation. The song’s structure evolves through contrasting phases. The first half introduces a roadhouse groove with relentless energy, pushing the limits of violin and flute, while the second half unravels into a layered soundscape before pulling itself back together into a rhythmic interplay reminiscent of Talk Talk's more experimental work. Monk’s collaborators, including award-winning European jazz and experimental artists, bring an immersive richness to the track, with standout contributions from Fabiana Striffler (violin) and Max Andrzejewski (drums). The lyrics, drawing from the Celtic myth of Mis, weave a story of grief, transformation, and disorientation. Monk’s ethereal vocals transport the listener into a dream realm where the psyche grapples with loss. Her lines--“I became stone, sentenced to a form”—echo with existential weight, embodying the sorrow and confusion of death's finality.
The accompanying video, directed by Christy Chudosnik, amplifies the song’s surreal energy. Filmed in lush Australian landscapes, it showcases Monk’s portrayal of the goddess Mis confronting multiple versions of herself. The stark imagery of white-painted figures and the symbolism of death-blackened hands create an eerie yet captivating visual experience.
Mis O’ The Mountains promises to continue this spellbinding narrative, inviting listeners into a world where ancient folklore meets experimental soundscapes. With "Gold Flowers," Jessie Monk cements her place as a masterful avant-folk storyteller, delivering a mythical odyssey that fans of Joni Mitchell and Anna Mieke will not want to miss.
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 From humble beginnings to becoming Tasmania’s largest multi-day camping festival, Party In The Paddock (PITP) has evolved into a must-attend event, and its 2025 lineup proves it's set to be bigger and better than ever. Taking place from February 6th to 9th at Quercus Park on the beautiful tilapangka/Liffey River, on Palawa/Tasmanian Aboriginal country, this year’s edition promises an epic weekend of music, art, and unforgettable experiences. Ready to be part of Tassie’s most anticipated festival yet?
Leading the festival are two massive acts, Empire Of The Sun and AURORA, along with the tantalizing promise of a SECRET HEADLINER—keeping festival-goers on their toes. Known for their surreal performances and synth-pop anthems, Empire Of The Sun is set to take fans on a mind-bending journey with hits like "Walking on a Dream" and "We Are the People." Expect stunning visuals and theatrical displays as they make their grand return to Australian stages. On the other side of the spectrum, AURORA, the ethereal indie-pop star from Norway, will captivate with her haunting vocals and evocative lyrics. With songs like "Runaway" and "Cure For Me," she’ll transport the audience into a world of deep emotion and atmosphere. As for the SECRET HEADLINER—who could it be? PITP has perfected the art of surprises, with past revelations like The Veronicas and DMA’s creating a massive buzz. This year, all eyes will be on the stage to see who makes their dramatic entrance. This year's lineup doesn’t stop at the headliners. Expect explosive energy from Amyl & The Sniffers, one of Australia’s fiercest punk-rock bands, led by the uncontainable Amy Taylor. Their live performances are raw, energetic, and unforgettable—a perfect recipe for PITP’s electric atmosphere. For those in search of a mix of indie and pop, there’s plenty to be excited about too. Rising pop sensation Role Model will bring his emotional, catchy tunes, while Aussie favorite Angie McMahon captivates with her introspective, soulful sound. Meanwhile, the dreamy, genre-blending vibes of Still Woozy and the indie-folk magic of Thelma Plum will keep the crowd floating in a sea of melodies. King Stingray, the Yolŋu surf-rock sensation, will bring their powerful blend of Indigenous and contemporary rock, while Slowly Slowly offers a touch of heartfelt punk. And Allday, with his genre-defying fusion of hip-hop, pop, and indie, promises an eclectic and energetic set. The diverse talent doesn’t end there—expect the USA’s Medium Build and KiNG MALA to bring fresh sounds, alongside Australia’s own Teen Jesus & The Jean Teasers and Boo Seeka. No matter what kind of vibe you’re into, this year’s lineup has something for everyone. PITP isn’t just a festival—it’s an experience. With six stages including the Vibestown Arena, The Bigtop Dance Tent, and Little Island Rising, there’s more than just music to discover. From stunning art installations and comedy acts to yoga sessions and skate ramps, the festival has an array of activities to make every moment memorable. Don’t miss out on drag performances, cabaret shows, artist interviews, and pop-up markets featuring fresh Tassie produce. Whether you’re staying for the full four-day camping adventure or just popping in for the weekend, PITP 2025 is set to be a festival like no other. With a star-studded lineup, an incredible array of activities, and unforgettable experiences waiting at every turn, this is your chance to be part of something special. Register for pre-sale and get ready to make memories that will last a lifetime. GET TICKETS HERE  Alex the Astronaut’s new single, “If You Have To Go,” marks a poignant moment in her artistic journey. It serves as a powerful lead-in to her upcoming EP, RAGE AND ALL ITS FRIENDS, set for release on November 22, 2024. The track, which emerges from a period of personal turmoil, encapsulates the raw emotions of missed opportunities and the ache of letting go. Written during Troye Sivan’s World Pride writing camp, the song’s heartfelt lyrics resonate with anyone who has grappled with the bittersweet nature of love and loss. Alex’s introspective storytelling shines through, creating a reflective and relatable atmosphere. The single's emotional depth stands out as a testament to Alex’s growth as an artist, showcasing her ability to articulate complex feelings with sincerity and grace. The accompanying music video, directed by Sam Watson-Wood and filmed in the breathtaking Blue Mountains, enhances the song’s emotional resonance. The stunning visuals capture the essence of the lyrics, making it a must-watch for fans. Alex’s first-ever guitar solo in this track adds an exciting new dimension to her sound, signalling a bold evolution in her artistry. With RAGE AND ALL ITS FRIENDS, Alex promises to take listeners on a cathartic journey through grief, anger, and acceptance. Following the success of her ARIA-nominated album, HOW TO GROW A SUNFLOWER UNDERWATER, this EP delves even deeper into the complexities of her experiences, including her late Autism diagnosis and navigating gender identity. This project is not just a collection of songs but a significant milestone in Alex’s career, inviting listeners to connect with her on a profoundly personal level. 
Chelsea Reed's latest single, "Loop," is a delightful plunge into the emotional whirlwind that follows a fleeting romantic encounter. With its whimsical nod to 60s French pop, "Loop" captures the essence of Reed's playful yet introspective songwriting. The track is a vibrant tapestry of bold production, featuring layers of percussion, piano, bass, and guitar, all tied together with Reed's signature vocal harmonies. The song's theatricality is front and centre, as Reed effortlessly channels the spirit of a cabaret performer caught in the throes of infatuation.
The influence of the Black Books theme song on the guitar line adds a quirky, offbeat charm that elevates the track, making it both relatable and refreshingly unique. Producer Dave Jenkins Jr. brings out the best in Reed's vision, creating a soundscape that feels like a playful dance between nostalgia and modernity. Reed's knack for capturing the complexities of human emotion with a lighthearted touch is on full display, making "Loop" a standout track in her evolving discography.
Gia Ford’s debut album Transparent Things is an intoxicating blend of alternative pop, hauntingly immersive storytelling, and a sonic world that feels both surreal and painfully real. Produced by the legendary Tony Berg at LA’s iconic Sound City Studios, Ford's soundscape evokes a distinctive tension between fragility and intensity. With singles like “Try Changing,” “Poolside,” and “Paint Me Like a Woman,” the album takes listeners on an emotionally charged voyage through the lives of outcasts, misfits, and dreamers who hover on the fringes of society.
What makes Transparent Things so impactful is Ford's ability to paint vivid portraits of her characters. In "Housewife Dreams of America," we hear the suffocating longing of a woman trapped by societal expectations, while “Poolside” showcases her darker, more cinematic approach to storytelling. Each song is layered with a lyrical depth that uncovers truths many might prefer to ignore, making the album feel like a collection of short stories from the edge of human experience. Ford's ethereal, almost ghostly vocals elevate the experience, weaving through themes of alienation, mythology, and the supernatural. There’s a strange comfort in the disquiet she creates, particularly as her mythical creatures and spirits serve as metaphors for the human condition. The eerie yet entrancing atmosphere reflects the record’s core: an exploration of those on the periphery, caught between fact and fiction. Tony Berg’s production complements Ford’s vision perfectly, blending live instrumentation with 70s influences, creating a timeless yet innovative sound. The result is a richly textured, cohesive debut that establishes Gia Ford as a visionary artist with a singular voice in the alt-pop genre. Transparent Things is a debut that will linger long after its last note, both unsettling and beautiful in its honesty. 
Meali Grace's debut EP UNDER MY MESS is a powerful introduction to her soulful artistry, blending heartfelt storytelling with emotionally charged performances. The five-track collection is an intimate exploration of love, loss, and resilience, delivered through acoustic arrangements that showcase her expressive vocals and introspective songwriting.
The EP opens with "Upstream," an anthem of perseverance that sets the tone for the emotional depth of the project. The song captures the feeling of swimming against life's currents, where Grace's raw vocals and acoustic guitar work invite listeners into a space of vulnerability. "Heartbreak at 19," another standout track, delves into the lingering pain of young heartbreak. Grace's ability to convey both sorrow and hope offers a cathartic release for anyone who's felt the sting of lost love.
On "Eyes 4 U," Meali leans into the tenderness of unrequited love. The gentle finger-picking style adds a layer of poignancy to the track, painting a vivid picture of longing and hope. "Easy to Remember," praised by Triple J’s Sara Glaidous, continues this theme of emotional reflection, with Meali delivering a raw and authentic portrayal of heartache through stunning acoustic sounds and passionate vocals.
The EP closes with "Stay a While," a touching ballad that celebrates unconditional love and acceptance. This intimate track invites listeners to surrender to the beauty of shared experiences, leaving them with a sense of warmth and connection. UNDER MY MESS not only highlights Meali Grace’s exceptional vocal range and songwriting abilities but also cements her as a rising star in the music industry. The EP reflects her years of creative experience and formal training at JMC Academy, all while pushing emotional and artistic boundaries. Fans of acoustic, soul-stirring music will find themselves deeply moved by Meali Grace’s artistry. To mark the release of her EP, Meali will perform at Toowoon Bay on September 14th, 2024. This live performance promises to be an immersive and emotionally resonant experience, offering fans a chance to witness her talent in an intimate setting. 
Lance Gurisik’s sophomore album, "PROFFER," released on August 23, 2024, is a testament to his innovative prowess in contemporary music. Under his Sydney-based label, 33 Sides, with global distribution through Inertia/PIAS, Gurisik once again pushes the boundaries of musical composition, offering a groundbreaking exploration that seamlessly melds jazz, electronica, and contemporary orchestral elements. Gurisik’s debut album, "CULL PORTAL," set a high bar, blending modal jazz with electronic influences and earning critical acclaim, including a nomination for Best Jazz Album at the ARIAs and being named The Guardian UK's Contemporary Album of the Month. With "PROFFER," Gurisik dives even deeper into the realms of experimental music, drawing inspiration from a diverse array of musical influences, including German krautrock hero Manuel Göttsching, French synth legends AIR, minimalist composer Terry Riley, and classical maestros Ralph Vaughan Williams and Alexander Scriabin. "PROFFER" opens with "STASIS," setting the tone for the album with its rich, textured soundscapes that immediately transport the listener into Gurisik’s meticulously crafted world. The transition to "PREDNISONE" is seamless, as the track captures the manic and hyper-focused state induced by the medication Prednisone, reflecting a turbulent period in Gurisik’s life with intense electronic beats and haunting melodies. The album’s first single, "WELTER," exemplifies Gurisik’s ability to blend live strings with electronic elements, creating a warm and embracing auditory experience. The accompanying video, crafted by Chinese-American visual artist Danski Tang, enhances this experience with its dreamlike 2D hand-drawn animation, mirroring the album's psychedelic fusion and transcendence themes. "GLUT," the first track Gurisik began writing for the album, dives into the sound world of the Verbos modular synth system. This track stands out for its cyclical, trance-like composition, influenced by American Minimalist composers Steve Reich and Terry Riley. Lamorna Nightingale’s alto flute performance adds a lyrical quality that beautifully intertwines with the electronic foundation, making "GLUT" a hypnotic and deeply engaging piece. Collaborations play a significant role in "PROFFER," featuring contributions from Lamorna Nightingale, Nick Meredith, a 16-piece string section performed by Ian Cooper and Paul Ghica, and Gurisik himself on modular synth and keyboards. These collaborations elevate the album’s complexity and depth, showcasing Gurisik’s ability to integrate diverse musical elements into a cohesive and captivating whole. The visual artistry accompanying "PROFFER" is equally compelling. London-based artist Morgan Beringer’s work on the videos for "PREDNISONE" and "GLUT" employs abstract digital techniques and glitch aesthetics, creating dynamic and sometimes disorienting imagery that reflects the album’s surreal and immersive nature. Beringer’s AI-generated visuals ensure that viewers discover new elements with each watch, perfectly complementing the intricate layers and shifting tones of Gurisik's music. "PROFFER" challenges prevailing norms in the music industry by advocating for music as a vehicle of escapism and self-exploration through active listening. Its maximalist approach to composition and production pushes the boundaries of where experimental electronic, jazz, and modern classical forms meet, creating an adventurous and cinematic listening journey. The album’s tracklist, including highlights like "DESINENCE," "BALANCE," "NÉPZENE," "CHANGES," and the title track "PROFFER," weaves a narrative that is as intellectually stimulating as it is emotionally resonant. Each track offers a unique sonic landscape, contributing to a holistic experience that demands repeat listens to appreciate its depth and complexity fully. In "PROFFER," Lance Gurisik has crafted an album that is not just a collection of songs but a multi-sensory journey. By integrating pioneering visual artistry with his innovative compositions, Gurisik has ensured that "PROFFER" is a landmark project in contemporary music and art, inviting audiences to explore the rich intersections of sound and sight. This album is a bold statement of creative vision, promising to captivate and inspire listeners worldwide.  Alex the Astronaut's latest single, "Cold Pizza," is a beautifully raw and introspective track that captures the essence of heartbreak with an authenticity that only she can deliver. Co-written with the legendary Paul Kelly, the song takes listeners on a nostalgic journey through the remnants of a past relationship, symbolized by a simple meal shared on the floor. The lyrics, born from a deeply personal moment, resonate with a bittersweet quality that is both tender and haunting. Musically, "Cold Pizza" is stripped back, allowing Alex's emotive vocals to take center stage. The minimalist arrangement complements the lyrical content, creating an intimate atmosphere that draws the listener in. Kelly's influence is evident in the song's storytelling approach, as each line feels carefully crafted and imbued with meaning. This collaboration is a testament to Alex's growth as a songwriter and her ability to connect with her audience on a deeply personal level. "Cold Pizza" is not just a song; it's a reflection on love, loss, and the memories that linger long after the relationship has ended. It's a track that will resonate with anyone who has ever experienced the complexities of love, making it a standout addition to Alex the Astronaut's already impressive discography. 
Charly Bliss’s Forever is a radiant return that celebrates life, love, and everything in between. Produced by Jake Luppen and Caleb Wright of Hippo Campus, this album bursts with the infectious energy that first drew fans to the band while also showing a deeper, more mature side of their sound. The five-year gap since Young Enough has been a period of growth for the band, personally and musically.
When Charly Bliss sat down to write new music, they started with a simple directive: “It has to be fun.” After the rigorous experience of recording, releasing, and touring Young Enough, the band felt creatively overcooked and needed to recapture the joy that defined their early work. This ethos of fun is evident throughout Forever, as the album explodes with energy and enthusiasm. “Fun is our natural state,” says guitarist Spencer Fox, and it’s clear that the band’s camaraderie and shared history as lifelong friends—including siblings Eva and Sam Hendricks—fuel the album’s vibrant sound.
Opening with the punchy “Tragic,” the album immediately pulls you in with its infectious energy, a hallmark of Charly Bliss’s sound. But this time around, there’s an added layer of emotional depth. Songs like “Back There Now” and “I’m Not Dead” reflect on the passage of time and the challenges of maintaining personal connections in the face of life’s upheavals. Yet, despite these weighty themes, the music remains buoyant and full of life, much like fireworks exploding in the night sky.
The global pandemic uniquely shaped the album’s creation process. Unlike previous records, where the band would write together in a room, Forever saw Eva Hendricks recording demos on her phone while sitting in a parked rental car in Australia, thousands of miles away from her bandmates. Despite the physical distance, the remote writing process brought the band closer together, resulting in an intimate and expansive record. The album is suffused with a sense of sleeplessness, capturing the jittery feeling of new love, the raw insomnia brought on by heartache, and the late nights spent out (or in) with friends new and old.
The album’s closing track, “Last First Kiss,” feels like the perfect ending—a hopeful yet bittersweet reflection on love that endures. Charly Bliss has crafted an album that’s both a joy to listen to and a testament to the resilience of their bond. Forever is a testament to the power of friendship, love, and music, offering listeners a piece of the life they’ve built together. It’s a vibrant, colourful reminder that even in constant change, some things remain beautifully constant.
 LT's "Real Life = No Fun" - A Mesmerizing Summer AnthemLT’s latest single, “Real Life = No Fun,” is a breath of fresh air in the alt-pop landscape. With its infectious melody and relatable lyrics, the track perfectly encapsulates the yearning for freedom and fun that many experienced during the pandemic lockdowns. The music video, directed by Brendan Schoenmaker, adds a visual dimension that complements the song’s carefree vibe, showcasing sun-soaked scenes that make you want to gather your friends and hit the road. The production, a collaboration with Joel Quartermain and Edwin White, is polished yet retains an authentic, down-to-earth feel. The track’s twangy undertones blend seamlessly with LT’s signature pop sensibilities, creating a sound that’s both nostalgic and modern. The song's success is undeniable, with its rapid rise on streaming platforms and international radio play, solidifying LT’s place as a formidable talent in the music industry.
LT has an exciting lineup of shows this October, starting with a performance on Friday, October 4th, at Creat 59 in Cairns. This venue promises an intimate setting where fans can experience LT's unique blend of electronic and alternative music up close. The following night, Saturday, October 5th, LT will take the stage at It's Still A Secret in Brisbane. These shows are set to be a perfect showcase of the raw energy and emotion that LT brings to her music. Get tickets [HERE]. |
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