In Rage and All Its Friends, Alex the Astronaut delves into grief, frustration, and self-discovery with a new openness and grit. Moving beyond the bright introspection of their previous work, this EP reveals an artist unafraid to confront their tumultuous feelings head-on and, crucially, to do so in the company of friends. These six tracks capture the stark honesty and occasional humour needed to navigate life’s roughest patches, transforming anger, sadness, and healing into relatable anthems for anyone dealing with life’s inevitable lows.
The EP’s opening track, “Cold Pizza,” co-written with legendary Australian songwriter Paul Kelly, sets the tone for the raw authenticity that defines the entire project. With a humble line about eating pizza on the floor evolving into a poignant ballad, this song illustrates Alex’s gift for turning everyday moments into profound reflections on love and loss. Kelly’s influence is tangible; the duet brims with vulnerability and bittersweet nostalgia, creating an unforgettable, moving introduction. “If You Have To Go” is another deeply personal track written during Troye Sivan’s World Pride songwriting camp. Its slow-burning melody and poignant lyrics convey Alex’s feelings of loss and unfulfilled connections. Here, Alex’s voice aches with sincerity, and with the inclusion of their first guitar solo, the song becomes a standout that marks their creative evolution. There’s a feeling of collective mourning, resonating with the shared sadness felt during the writing camp, and its rawness leaves a lasting impact. “Road Rage,” produced by Gordi, injects an energetic burst of humour and catharsis into the EP. This song confronts pent-up anger and frustration, channelled into shouting fits at careless drivers — an amusing and relatable metaphor for the helpless rage many felt during the pandemic. Alex turns the frustrations of daily life into something cathartic and relatable, underscoring the EP’s recurring theme of facing, rather than ignoring, one’s emotions. Contrasting the high-energy tracks, “Numb” is a meditation on the sensation of burnout and disconnection. Written on a train ride through Italy, it perfectly captures the feeling of watching life pass by without feeling engaged. The subdued tone and reflective lyrics capture a universal moment of attempting to reconnect with life after a period of emotional distance, and it feels like a much-needed pause in the EP’s emotional journey. “Change,” inspired by Audre Lorde’s words on anger and transformation, is perhaps the most politically charged track on the EP. Alex aims at the slow pace of societal progress, especially within the male-dominated music industry. With a refrain, Lisa Mitchell sings, “Change” channels righteous anger yet also carries a sense of hope for a more equitable world, giving listeners a powerful, heartfelt call to action. The EP’s final track, “Actually The End,” closes this emotional journey on a contemplative note. Written with Benjamin Francis Leftwich, it explores the problematic acceptance of a breakup’s finality. Alex’s lyrics here are strikingly honest, portraying the universal feeling of letting go with authenticity and grace. It’s a gentle reminder of the inevitability of life’s endings and the importance of processing grief fully — a fitting close to an EP that never shies away from facing difficult emotions. The EP cover, designed by ARIA Award-winning artist Connor Dewhurst, visually encapsulates this powerful emotional journey. With striking imagery that complements the EP’s themes, it reinforces Alex’s message of confronting big emotions with bravery and humour. Rage and All Its Friends is not just an EP — it’s an invitation for listeners to sit with their sadness, laugh at their frustrations, and find comfort in shared experiences. This release showcases Alex the Astronaut’s artistic growth and courage in the face of vulnerability, resulting in their most intimate and compelling project yet.
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 The SoundMerch Australian Music Prize, proudly presented by SoundMerch, has unveiled the nine outstanding albums shortlisted for the 2024 prize. This prestigious award celebrates the artistry and innovation of Australian musicians and honours the album as a powerful form of creative expression. The 2024 shortlist reflects the best Australian music released between October 28, 2023, and October 25, 2024, showcasing the diversity and richness of the country’s musical landscape. In this milestone year, an expert panel of judges from various music industry sectors meticulously reviewed over 600 albums to create this exceptional shortlist. Their selections highlight artists whose unique voices and styles push the boundaries of contemporary music in Australia. THE 20TH SOUNDMERCH AMP SHORTLISTED ARTISTS ARE: AUDREY POWNE 'FROM THE FIRE' AMYL & THE SNIFFERS 'CARTOON DARKNESS' DOBBY 'WARRANGU; RIVER STORY' GRACE CUMMINGS 'RAMONA' HIATUS KAIYOTE 'LOVE HEART CHEAT CODE' KANKAWA NAGARRA 'WIRLMARNI' NICK CAVE & THE BAD SEEDS 'WILD GOD' ROWENA WISE 'SENSELESS ACTS OF BEAUTY' THE DIRTY THREE 'LOVE CHANGES EVERYTHING' The AMP’s Founder and Prize Director, Scott Murphy, extended his gratitude to the judges: “On behalf of The AMP, SoundMerch, our industry partners, and the Aussie music industry, I sincerely thank our judges for their time, expertise, and passion. It’s no easy task to review over 600 albums and then select just nine.” Among the nominees, Audrey Powne expressed the personal significance of her album From the Fire, noting the validation she feels for her self-produced debut. Likewise, Dobby reflected on his album Warrangu; River Story, stating, “Australian music is dear to our hearts, and we are incredibly proud to be able to create and perform the music we make.” Congratulations to all shortlisted artists for their tremendous contributions to the vibrant Australian music scene.  In "Road Rage," Alex the Astronaut channels the universal frustration and lingering anger of a post-pandemic world. The single, a standout from the upcoming EP RAGE AND ALL ITS FRIENDS, pulls no punches, diving deep into the chaos and resentment that bubbled up for many during and after COVID-19. Alex’s honest storytelling shines here, painting a vivid picture of feeling stuck and disillusioned in career, relationships, and personal growth. Produced by Gordi, “Road Rage” is an intense mix of humor and introspection, featuring energetic instrumentals and Alex's signature wit. The production brings a palpable tension, capturing the turmoil behind the track's creation, inspired by a memorable moment of road rage. Alex’s biting lyrics reflect the absurdity and honesty of anger that often feels like a knee-jerk reaction to an increasingly difficult world. With themes of grief, self-acceptance, and resilience, "Road Rage" isn't just a song; it’s a personal, cathartic release. Alex’s raw and grounded approach feels refreshing and relatable, offering fans a glimpse into their own struggles with frustration and growth.
Momma’s latest single, “Ohio All The Time,” is a vibrant throwback to early-2000s alt-pop, offering a nostalgic yet fresh sound. The Brooklyn-based band expertly blends punchy guitar riffs with breezy vocals, creating an irresistible anthem for anyone longing for the past. The track, produced by Aron Kobayashi Ritch, evokes a sense of carefree youth, rooted in the band’s own experiences during a transformative summer tour. The accompanying video, directed by Zack Shorrosh, perfectly captures this vibe, showing the band running around upstate New York with a playful energy that feels genuine and fun.
After their critically acclaimed singles “Bang Bang” and “Rockstar,” as well as standout performances at Coachella and alongside Alex G and Pavement, Momma proves once again that they are a force to be reckoned with in the indie rock scene. “Ohio All The Time” is both a personal reflection and a universal ode to the joy of those fleeting, life-changing moments that come with youth.
"Gold Flowers," Australian artist Jessie Monk sets the stage for her sophomore concept album Mis O’ The Mountains, a haunting avant-folk journey steeped in myth and folklore. The single, inspired by Gabriel García Márquez's 100 Years of Solitude, captures the magical realism and deep emotional resonance of a mythic moment—when gold flowers rain from the sky to commemorate a lost life.
Musically, "Gold Flowers" is a bold and intricate fusion of folk roots and avant-garde experimentation. The song’s structure evolves through contrasting phases. The first half introduces a roadhouse groove with relentless energy, pushing the limits of violin and flute, while the second half unravels into a layered soundscape before pulling itself back together into a rhythmic interplay reminiscent of Talk Talk's more experimental work. Monk’s collaborators, including award-winning European jazz and experimental artists, bring an immersive richness to the track, with standout contributions from Fabiana Striffler (violin) and Max Andrzejewski (drums). The lyrics, drawing from the Celtic myth of Mis, weave a story of grief, transformation, and disorientation. Monk’s ethereal vocals transport the listener into a dream realm where the psyche grapples with loss. Her lines--“I became stone, sentenced to a form”—echo with existential weight, embodying the sorrow and confusion of death's finality.
The accompanying video, directed by Christy Chudosnik, amplifies the song’s surreal energy. Filmed in lush Australian landscapes, it showcases Monk’s portrayal of the goddess Mis confronting multiple versions of herself. The stark imagery of white-painted figures and the symbolism of death-blackened hands create an eerie yet captivating visual experience.
Mis O’ The Mountains promises to continue this spellbinding narrative, inviting listeners into a world where ancient folklore meets experimental soundscapes. With "Gold Flowers," Jessie Monk cements her place as a masterful avant-folk storyteller, delivering a mythical odyssey that fans of Joni Mitchell and Anna Mieke will not want to miss.  From humble beginnings to becoming Tasmania’s largest multi-day camping festival, Party In The Paddock (PITP) has evolved into a must-attend event, and its 2025 lineup proves it's set to be bigger and better than ever. Taking place from February 6th to 9th at Quercus Park on the beautiful tilapangka/Liffey River, on Palawa/Tasmanian Aboriginal country, this year’s edition promises an epic weekend of music, art, and unforgettable experiences. Ready to be part of Tassie’s most anticipated festival yet?
Leading the festival are two massive acts, Empire Of The Sun and AURORA, along with the tantalizing promise of a SECRET HEADLINER—keeping festival-goers on their toes. Known for their surreal performances and synth-pop anthems, Empire Of The Sun is set to take fans on a mind-bending journey with hits like "Walking on a Dream" and "We Are the People." Expect stunning visuals and theatrical displays as they make their grand return to Australian stages. On the other side of the spectrum, AURORA, the ethereal indie-pop star from Norway, will captivate with her haunting vocals and evocative lyrics. With songs like "Runaway" and "Cure For Me," she’ll transport the audience into a world of deep emotion and atmosphere. As for the SECRET HEADLINER—who could it be? PITP has perfected the art of surprises, with past revelations like The Veronicas and DMA’s creating a massive buzz. This year, all eyes will be on the stage to see who makes their dramatic entrance. This year's lineup doesn’t stop at the headliners. Expect explosive energy from Amyl & The Sniffers, one of Australia’s fiercest punk-rock bands, led by the uncontainable Amy Taylor. Their live performances are raw, energetic, and unforgettable—a perfect recipe for PITP’s electric atmosphere. For those in search of a mix of indie and pop, there’s plenty to be excited about too. Rising pop sensation Role Model will bring his emotional, catchy tunes, while Aussie favorite Angie McMahon captivates with her introspective, soulful sound. Meanwhile, the dreamy, genre-blending vibes of Still Woozy and the indie-folk magic of Thelma Plum will keep the crowd floating in a sea of melodies. King Stingray, the Yolŋu surf-rock sensation, will bring their powerful blend of Indigenous and contemporary rock, while Slowly Slowly offers a touch of heartfelt punk. And Allday, with his genre-defying fusion of hip-hop, pop, and indie, promises an eclectic and energetic set. The diverse talent doesn’t end there—expect the USA’s Medium Build and KiNG MALA to bring fresh sounds, alongside Australia’s own Teen Jesus & The Jean Teasers and Boo Seeka. No matter what kind of vibe you’re into, this year’s lineup has something for everyone. PITP isn’t just a festival—it’s an experience. With six stages including the Vibestown Arena, The Bigtop Dance Tent, and Little Island Rising, there’s more than just music to discover. From stunning art installations and comedy acts to yoga sessions and skate ramps, the festival has an array of activities to make every moment memorable. Don’t miss out on drag performances, cabaret shows, artist interviews, and pop-up markets featuring fresh Tassie produce. Whether you’re staying for the full four-day camping adventure or just popping in for the weekend, PITP 2025 is set to be a festival like no other. With a star-studded lineup, an incredible array of activities, and unforgettable experiences waiting at every turn, this is your chance to be part of something special. Register for pre-sale and get ready to make memories that will last a lifetime. GET TICKETS HERE  Alex the Astronaut’s new single, “If You Have To Go,” marks a poignant moment in her artistic journey. It serves as a powerful lead-in to her upcoming EP, RAGE AND ALL ITS FRIENDS, set for release on November 22, 2024. The track, which emerges from a period of personal turmoil, encapsulates the raw emotions of missed opportunities and the ache of letting go. Written during Troye Sivan’s World Pride writing camp, the song’s heartfelt lyrics resonate with anyone who has grappled with the bittersweet nature of love and loss. Alex’s introspective storytelling shines through, creating a reflective and relatable atmosphere. The single's emotional depth stands out as a testament to Alex’s growth as an artist, showcasing her ability to articulate complex feelings with sincerity and grace. The accompanying music video, directed by Sam Watson-Wood and filmed in the breathtaking Blue Mountains, enhances the song’s emotional resonance. The stunning visuals capture the essence of the lyrics, making it a must-watch for fans. Alex’s first-ever guitar solo in this track adds an exciting new dimension to her sound, signalling a bold evolution in her artistry. With RAGE AND ALL ITS FRIENDS, Alex promises to take listeners on a cathartic journey through grief, anger, and acceptance. Following the success of her ARIA-nominated album, HOW TO GROW A SUNFLOWER UNDERWATER, this EP delves even deeper into the complexities of her experiences, including her late Autism diagnosis and navigating gender identity. This project is not just a collection of songs but a significant milestone in Alex’s career, inviting listeners to connect with her on a profoundly personal level. 
Chelsea Reed's latest single, "Loop," is a delightful plunge into the emotional whirlwind that follows a fleeting romantic encounter. With its whimsical nod to 60s French pop, "Loop" captures the essence of Reed's playful yet introspective songwriting. The track is a vibrant tapestry of bold production, featuring layers of percussion, piano, bass, and guitar, all tied together with Reed's signature vocal harmonies. The song's theatricality is front and centre, as Reed effortlessly channels the spirit of a cabaret performer caught in the throes of infatuation.
The influence of the Black Books theme song on the guitar line adds a quirky, offbeat charm that elevates the track, making it both relatable and refreshingly unique. Producer Dave Jenkins Jr. brings out the best in Reed's vision, creating a soundscape that feels like a playful dance between nostalgia and modernity. Reed's knack for capturing the complexities of human emotion with a lighthearted touch is on full display, making "Loop" a standout track in her evolving discography.
Gia Ford’s debut album Transparent Things is an intoxicating blend of alternative pop, hauntingly immersive storytelling, and a sonic world that feels both surreal and painfully real. Produced by the legendary Tony Berg at LA’s iconic Sound City Studios, Ford's soundscape evokes a distinctive tension between fragility and intensity. With singles like “Try Changing,” “Poolside,” and “Paint Me Like a Woman,” the album takes listeners on an emotionally charged voyage through the lives of outcasts, misfits, and dreamers who hover on the fringes of society.
What makes Transparent Things so impactful is Ford's ability to paint vivid portraits of her characters. In "Housewife Dreams of America," we hear the suffocating longing of a woman trapped by societal expectations, while “Poolside” showcases her darker, more cinematic approach to storytelling. Each song is layered with a lyrical depth that uncovers truths many might prefer to ignore, making the album feel like a collection of short stories from the edge of human experience. Ford's ethereal, almost ghostly vocals elevate the experience, weaving through themes of alienation, mythology, and the supernatural. There’s a strange comfort in the disquiet she creates, particularly as her mythical creatures and spirits serve as metaphors for the human condition. The eerie yet entrancing atmosphere reflects the record’s core: an exploration of those on the periphery, caught between fact and fiction. Tony Berg’s production complements Ford’s vision perfectly, blending live instrumentation with 70s influences, creating a timeless yet innovative sound. The result is a richly textured, cohesive debut that establishes Gia Ford as a visionary artist with a singular voice in the alt-pop genre. Transparent Things is a debut that will linger long after its last note, both unsettling and beautiful in its honesty. 
Meali Grace's debut EP UNDER MY MESS is a powerful introduction to her soulful artistry, blending heartfelt storytelling with emotionally charged performances. The five-track collection is an intimate exploration of love, loss, and resilience, delivered through acoustic arrangements that showcase her expressive vocals and introspective songwriting.
The EP opens with "Upstream," an anthem of perseverance that sets the tone for the emotional depth of the project. The song captures the feeling of swimming against life's currents, where Grace's raw vocals and acoustic guitar work invite listeners into a space of vulnerability. "Heartbreak at 19," another standout track, delves into the lingering pain of young heartbreak. Grace's ability to convey both sorrow and hope offers a cathartic release for anyone who's felt the sting of lost love.
On "Eyes 4 U," Meali leans into the tenderness of unrequited love. The gentle finger-picking style adds a layer of poignancy to the track, painting a vivid picture of longing and hope. "Easy to Remember," praised by Triple J’s Sara Glaidous, continues this theme of emotional reflection, with Meali delivering a raw and authentic portrayal of heartache through stunning acoustic sounds and passionate vocals.
The EP closes with "Stay a While," a touching ballad that celebrates unconditional love and acceptance. This intimate track invites listeners to surrender to the beauty of shared experiences, leaving them with a sense of warmth and connection. UNDER MY MESS not only highlights Meali Grace’s exceptional vocal range and songwriting abilities but also cements her as a rising star in the music industry. The EP reflects her years of creative experience and formal training at JMC Academy, all while pushing emotional and artistic boundaries. Fans of acoustic, soul-stirring music will find themselves deeply moved by Meali Grace’s artistry. To mark the release of her EP, Meali will perform at Toowoon Bay on September 14th, 2024. This live performance promises to be an immersive and emotionally resonant experience, offering fans a chance to witness her talent in an intimate setting. |
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